Posts Tagged ‘medieval warfare’

Tactics For Billmen And The Use of Their Weapon – Willensstark Handbook

Saturday, June 18th, 2011

* Author’s Note:  This is an excerpt from “The Willensstark Handbook” which is issued to all 15th mercenary reenactors in my company.

Tactics For Billmen And The Use of Their Weapon

renaissance soldier, renaissance warfare, renaissance firearm, medieval warfare, renaissance bayonet, renaissance harquebus, renaissance military

"If your voulge fails you and the enemy quickly moves in on you, drop the voulge and draw upon him your side arm."

Billmen are a bristling wall of lethal metal and were used on both infantry and cavalry, and were often the predominant force at the battle.  A field of billmen worked as one unit, and their role on the battlefield was rather simplistic.  In staggered-line formation with the first two rows presenting their arms in ready position and the rows further back holding them upward, the field slowly and methodically advanced towards an enemy line that by then had usually been softened by archers .  They advance holding their polearms firmly, without trusting, and clear a path through the foe.  If a man from the front line falls, a man from the second line fills his spot.  A vacancy in the second line is filled by a man from the third, and so on until the back row.  The formation is kept as tight and straight as possible.  For most billmen of the fifteenth century, this short summary would probably capture very accurately what they do.

Willensstark, being a very small company, is a believer in preparation for the worst.  Lacking hundred of billmen in strength to form the field, the possibility that the field may be broken is seriously considered.  For this reason, Willensstark billmen are not only to fight as a single unit but also as an individual.  Out of formation the billman has many more options for his attacks and defenses.

In individual combat the most important general rule for wielding a polearm is that it is a distance weapon and so never let the enemy get close to you, and don’t get too close to your fellow mercenaries. If used correctly the voulge that Willensstark uses can be a powerful weapon, used poorly it can be a catastrophe.  Use short cuts, thrusts, and deflections.  Don’t raise it high or swing broadly to gain momentum for the strike.  Doing so causes lack of weapon control and easily open you the advance and attack of enemies. Deflect enemy blows with the broad flats of the blade or the spear point.

Attacks and defenses use a basic ten point system on the target.  The circle indicates a thrusting action, the lines slashes.  Notice #9 is a slash rather than thrust. Though it is an intimidating move to thrust towards an opponent’s face, it is generally considered to be too easily deflected upwards which makes a dangerous opening and hampers quick retaliation.  Note also that there is no upcut, but rather a low horizontal slash.  A straight upward slash is awkward to perform with most long-hafted weapons, and so a low slash with the grip of the polearm held high replaces it.  The grip is held high to provide a stronger defense and quicker retaliation should the blade be forced down.

If your voulge fails you and the enemy quickly moves in on you, drop the voulge and draw upon him your side arm.  All billmen should carry some sidearm in case this scenario occurs.  For billmen, daggers and short swords are recommended.  Longer swords can hamper moving in formation, and short hafted weapons (like axes, maces, and flails) lack defensive ability when used without a shield.  Shields were not typically carried by billmen, unlike their predecessors the spearmen.  Spears were light enough to use single-handed and so shields suited the style of predominant use.  Voulges and other similar polearms were heavy and required both hands to use, shields just got in the way.

 

 

 

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Norman Architecture

Wednesday, January 12th, 2011

norman architecture, medieval castles, cathedrals, medieval strongholds, medieval fortress, gothic architecture

Norman architecture - Winchester Cathedral

By A Harrison Barnes

Norman Architecture, named so due to its roots in Normandy, arose in the Middle Ages. It began in the early 11th century and ended by the 12th century, following the Saxon architectural movement and preceding the Gothic movement. Norman architecture is a form of the prevailing Romanesque Architecture that was propagated by the Normans (or Vikings) who conquered England. Its development gave rise to large and impenetrable cathedrals, fortresses, castles, and fortifications.

The archetypal monastery building arose during this movement, with its squat buildings that were either rectangular or circular. For instance, the renowned abbey Mont-Saint-Michel was built in the Norman era. In fact, the majority of Norman Architecture is religious structures, from village churches to royal cathedrals. A hallmark of Norman churches is their cross-like shape, deriving from the Roman basilica pattern. These churches also had bell towers, or campaniles, which were built nearby the main church buildings.

The quintessential medieval castles are also a distinctly Norman innovation. They arose not only in England but also in Scotland, Ireland, Normandy, and even Italy. In Italy, however, Norman features were combined with Byzantine and Arabic styles, which made for less gloominess.

Norman Architecture is actually an outgrowth of Romanesque Architecture, which began in Lombardy, Italy. Romanesque derives much of its architecture from classic Roman styles, such as arches, vaults, columns, and arcades. It greatly utilized the rounded arch, a Roman invention. It also used a great variety of vault styles. The prevailing type was the barrel vault, a curved vault used widely in cloisters.

The building materials used in Norman Architecture mainly included stones, so as to give the buildings greater stability. These stones were uncut because there were no real architectural jobs, such as mason jobs, in the Norman era. Therefore, buildings were made up of large, irregularly shaped stones that contributed to their bulky look.

Norman roofs were vaulted, like their Roman predecessors. Vaults allowed for more balanced weight distribution across the roof. Norman buildings’ adornment was minimal, though some architects used their chisels to carve a series of arches into walls. These were not actual arches, but carvings giving a trompe de l’oeil effect. Moreover, some architects carved moldings onto stone surfaces. A minority of architects even became so adroit with their chisel that they sculpted animals onto reliefs over doorways, or tympanums. Arches and columns were also minimally decorated elements. As the Norman movement reached its peak in the 12th century, however, it gave rise to more ornamentation. This ornamentation gradually culminated in the first stained glass windows in the 12th century, directly before the Gothic Architecture took hold.

Norman Architecture is additionally distinguished by very small windows. Before the Gothic movement, architects avoided installing large windows because it increased the chances of building collapse. Therefore, people who resided in Norman buildings were in extremely dim surroundings, using candles as their only source of light. It wasn’t until the Gothic period that architects safely installed huge windows to let in an enormous quantity of light, giving cathedrals their celestial quality.

Yet, Romanesque and Norman Architecture also blazed new trails by installing much taller buildings, such as castles and cathedrals, which were the largest structures in Europe at that point. These buildings were usually square and inhabited by guards who worked as night watchmen, scanning the surrounding landscape for intruders.

With these taller buildings came much denser walls to give the needed support to these great heights. Inside these buildings, there were also large columns that bolstered structural support. These walls would become much thinner with the advent of flying buttresses, which arose in the Gothic movement.

One of England’s first pieces of Norman Architecture was London’s Westminster Abbey. Though this structure is now largely Gothic, it began as a Norman construction. Many Gothic structures, in fact, began as Norman buildings that were later elaborated on by Gothic architects. Many central towers (keeps) on castle and cathedral grounds were also Norman. These square, dense-walled structures were used as dungeons as well as defense fortresses. The Tower of London (also called the White Tower), which served as the royal dungeon, is another penultimate example of Norman Architecture. Like all Romanesque buildings, it was tall in its day, reaching about 90 feet high. It also contained extremely thick walls, spanning about 15 feet wide, to support that height. It is, like many Romanesque buildings, a fortress-like building.

While Gothic Architecture produced extremely tall, magnificent structures, these structures were essentially continuations of Norman Architecture. Gothic Architecture utilized pointed arches rather than Norman rounded arches, along with ribbed vaults that were combination of Norman barrel vaults. Therefore, Gothic Architecture as we know it may not have taken place without its grounding in Norman Architecture.

Today, most people immediately associate Norman and Romanesque architectural styles with the fairy-tale medieval period. Architects have learned that these castles and cathedrals were not so much royal residences as densely armed fortifications. In truth, most Norman structures have been the sites of much bloodshed and suffering. The “Dark Ages,” by which the Middle Ages was alternately known, may have been due in part to the dimness of Norman buildings, as a result of their extremely small windows.

Today’s architects are not rebuilding Norman Architecture, except for historical reproduction purposes. Church builders, moreover, take more inspiration from the Gothic period than any other architectural period. However, most architects certainly regard the Norman movement as an architectural watershed. Norman Architecture realized unsurpassed heights and first renewed the magnificence of classical styles. Though taking place in a dark period, it manifested the collective desire to reawaken human greatness, as people perceived it in classical architecture. Part of Norman Architecture’s legacy was to have passed on this desire in large measure to the succeeding Renaissance era.

A. Harrison Barnes is the founder and CEO of EmploymentScape, the parent company of more than 90 job-search websites, employment services, recruiting firms and student loan companies. EmploymentScape (originally Juriscape) employs several hundred employees in 14 offices throughout the United States, Asia, and Europe. These companies were literally started from Harrison’s garage several years ago after Harrison quit his job.

Harrison has worked for the United States Department of Justice, a federal district judge and the law firms of Quinn Emanuel Urquhart Oliver & Hedges and Dewey Ballantine. After three years of practice, Harrison founded Juriscape, under which he developed a collection of industry-specific job-search websites that revolutionized the way job seekers access employment postings from around the world. Harrison and his companies began serving the legal industry with BCG Attorney Search and LawCrossing. Following on the success of those endeavors, the company soon broadened its range to include the 90+ EmploymentCrossing websites, each specific to a particular industry or field. Juriscape changed its name to EmploymentScape in 2007 to reflect the company’s broadening focus.

In addition to the EmploymentCrossing websites, EmploymentScape employs top job recruiters nationwide and offers resume development and distribution services through EmploymentAuthority and LegalAuthority.

Harrison’s latest venture is Hound.com. Using technology that took two years to develop, Hound is able to pull job listings from company sites throughout the world, giving its members the best opportunities to find and apply to jobs.

Harrison resides in Malibu, California. He is a sought-after motivational speaker [http://www.aharrisonbarnes.com/speaking-coaching-and-workshop-fees] and writes articles relating to the legal community. Harrison is an active philanthropist and advocate for people reaching their full potential in their careers. Given his passion for job seekers and them reaching their full ability, Harrison recently started offering a limited number of coaching engagements to job seekers.

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1845 Arundel Castle Keep Norman Gateway Architecture

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Full page from the Illustrated London News, an illustrated weekly newspaper weeks date as shown on top of page, the size of each page is approximately 16 x 11 inches (410×280). All are genuine antique prints and not modern copies, the Illustrated London News is an illustrated magazine which was first printed in 1842 and is the finest pictorial example of a historic social record of British and world events up to the present day.

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Medieval Architecture (Oxford History of Art)

Medieval architecture comprises much more than the traditional image of Gothic cathedrals and the castles of chivalry. A great variety of buildings–synagogues, halls, and barns–testify to the diverse communities and interests in western Europe in the centuries between 1150 and 1550. This book looks at their architecture from an entirely fresh perspective, shifting the emphasis away from such areas as France towards the creativity of other regions, including central Europe and Spain.

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Early Medieval Architecture (Oxford History of Art)

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The early middle ages were an exciting period in the history of European architecture, culminating in the development of the Romanesque style. Major architectural innovations were made during this time including the medieval castle, the church spire, and the monastic cloister. By avoiding the traditional emphasis on chronological development, Roger Stalley provides a radically new approach to the subject, exploring issues and themes rather than sequences and dates.

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The Changes In Renaissance And Medieval Warfare Tactics Brought About By Gunpowder

Tuesday, January 11th, 2011

renaissance soldier, renaissance warfare, renaissance firearm, medieval warfare, renaissance bayonet, renaissance harquebus, renaissance military

The long spear shafts are their pikes, which became awkward to handle if the push of pike became too disorganized.

By H. R. Smith

The addition of gunpowder and its ever advancing effective use led to the first handheld weapon to use gunpowder…. the harquebus.

The harquebus is also known as the arquebus or the hackbut. This is a very primitive firearm used between the fifteenth and seventeenth centuries. The musket is a successor of the harquebus. It was a smooth bore long firearm.

A matchlock is used to fire the harquebus. The matchlock is a device used to “cock” the weapon and have it ready to fire. It had a long barrel with end flared to make it easier to load. The fighter with the harquebus was the harquebusier. The harquebusier would brace the barrel of the gun onto a pole with a forked end when firing.

The use of the harquebus during the battle of Pravia in 1525 where the French knights were defeated by heavy fire from harquebusiers provided incentive for others to acquire the harquebus.

During the sixteenth century the harquebus began being replaced by the lighter and more accurate musket.

With large cannons and the lighter harquebus the old aristocracy castles were no longer sufficient defenses. The role of the medieval cavalry had been fading during the late middle ages and the power of the aristocracies began to fade too.

Large armies could be devastated by with the use of the English longbow and the Swiss pike. A long bowman could fire 12 arrows per minute which is much faster than a crossbow. The Swiss pike is a long pole weapon whose primary use was against cavalry assaults. These pikes had the resemblance of a spear and were typically between 10 and 14 feet long. Steel tips were added to the end to increase its effectiveness. These pikes would be used in a large square formation (called a “hedgehog formation) to protect archers and harquebusiers from cavalry assaults.

Although both of these weapons were effective it was very difficult to amass large armies with the skills necessary for their effective use. The longbow took years to learn to use effectively and the Swiss pike required large groups of very well disciplined fighters moving in complex formations.

This is in stark contrast to a soldier who could be trained to effectively use a firearm in weeks instead of the years of training needed for the longbow and pike. There was no need to learn marksmanship skills because these early firearms were extremely inaccurate.

Firearms did not take great physical strength and could still annihilate armored cavalry forces. The harquebus (explained above) was the first relatively light weight firearm. Even though it had to be placed on a stand for firing, it could be operated by only one soldier.

The advantage for firearms was that they could inflict a lot of damage over a great distance, but at close distances the cavalry could annihilate the firearm carrying soldier. The use of pikes to protect the soldiers with firearms was used for years. Interestingly enough, the bayonet combined the effective use of the two weapons.

The harquebus gave way to the muskets which were expensive to make and required a designated infrastructure to produce. The wealth and industrial capacity of a country became the most important factor in determining its military success. This meant that the trading nations of Western Europe had a significant advantage over the more agricultural nations.

The aristocrats who had routinely put down revolts in the past with their cavalry and armies could now be threatened. These new armies cost a lot of money and required a great deal of infrastructure to maintain so the countries became more dependent on taxation in order to maintain their armies.

The inaccuracy of the firearms meant that the armies had to be very large in order to be effective. Since any man could be trained in a very short period of time in the use of a musket it became easier for a country to rely on the population to enter combat on its behalf.

By today’s standards, these wars were not especially deadly. The lack of good roads meant the armies moved very slowly. The most common battle tactic was the siege.

The changes and advancements in weaponry made the use of mercenary forces like those used during the Renaissance obsolete. As the Renaissance era ended, the mercenaries were, for a short time, used for training and administration of the armies and the infrastructure. These tasks were eventually taken over by the state with centralized administration. Some people believe the bureaucracy of today is an outgrowth of the centralized administration of the huge armies and the required infrastructure necessary for its support started during the Renaissance.

Ray Smith is an avid student of all segments of the Renaissance period, from warfare to the artists and their works as well as the clothing and language during the period. He maintains a Renaissance website at http://All-About-Renaissance-Faires.com that has extensive information on all aspects of the Renaissance period. There is extensive information on Renaissance Warfare techniques at http://All-About-Renaissance-Faires.com

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Weapons and Warfare in Renaissance Europe: Gunpowder, Technology, and Tactics (Johns Hopkins Studies in the History of Technology)

***Winner of the Canadian Historical Association’s Wallace K. Ferguson Prize Weapons and Warfare in Renaissance Europe explores the history of gunpowder in Europe from the thirteenth century, when it was first imported from China, to the sixteenth century, as firearms became central to the conduct of war. Bridging the fields of military history and the history of technology—and challenging past assumptions about Europe’s “gunpowder revolution”—Hall discovers a complex and fascinating story.

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The Art of Renaissance Warfare: From the Fall of Constantinople to the Thirty Years War

The Art of Renaissance Warfare tells the story of the knight during the fourteenth and fifteenth centuries – from the great victories of Edward III and the Black Prince to the fall of Richard III on Bosworth Field. During this period, new technology on the battlefield posed deadly challenges for the mounted warrior; but they also stimulated change, and the knight moved with the times. Having survived the longbow devastation at Crecy, Poitiers and Agincourt, he emerged triumphant, his armor light

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A look at the Dark Ages: When Things Were Really Medieval

Monday, January 3rd, 2011

dark ages, scotland, medieval warlords, medieval history

Eilean Donan Castle on a small island in Loch Duich. Near the village of Dornie. Named after St Donan (Celtic Saint) who was martyred in the Dark Ages. In the western Highlands of Scotland.By Sean Murphy

by Will Kalif

The Dark Ages were a period of great upheaval, constant war, horrendous plague, and stagnant cultural growth. But through these difficult centuries new ideas and a new culture was born. And in today’s world we still feel the effects of these changes that were brought about during these Dark Ages.

The Dark Ages is a period that is generally accepted as having begun in the year 410 with the fall of Rome and ending in 1095 with the launch of the first Crusades. The fall of Rome sets a good understanding for what the Dark Ages were all about because for centuries the Roman Empire was a unified force that brought stabilization to most of Europe. It had a vibrant trade and commerce industry that supported a reasonably secure lifestyle for millions of people. When Rome fell, this network of trade and commerce collapsed and the European World was set into chaos. It took seven hundred years of wars, plague, and poverty before the continent came out of it and was moved into the Renaissance.

Medieval Warlords and the struggle to be emperor

Before it fell, Rome had been the center of the European world for seven hundred years. The emperor ruled over everything and when this all fell the concept of one man ruling the world still remained. It was this aspiration to rule over everything that perpetuated the darkness of the times. Lords from all over Europe were engaged with each other in battles for land and power. This battling lasted literally centuries and it meant a constant drain of resources and a standstill in cultural growth.

Outside Forces make it worse

This constant struggling for power within the continent of Europe made it very easy for outside forces to penetrate into the continent and further wreak destruction and drain wealth and resources. From the north Vikings constantly invaded and plundered and from the south Moorish invaders brought war and the word of their prophet. The whole continent was under the constant pressure of three points of attack -from within and from both the north and south.

The Plague negates all progress

Throughout the first century of the Dark Ages Europe made slow but tangible progress and Emperor Justinian was on the verge of reuniting the continent when the bubonic plague hit and killed tens of millions of people. This destroyed all hope of reunification and kept the continent in chaos for several more centuries.

The Force that brought us out of the darkness

Christianity was an ideal that rose to power during the dark ages and many warlords of the time embraced it. This had a unifying force on the entire European continent and even though there were many kingdoms they all swore allegiance under the pope. This brought an end to the internal fighting that had been going on for centuries and this unification was solidified with the launching of the Crusades beginning in 1095. This gave all the various warlords and kings a common religious goal and a foe they could join together and focus on.

The Crusades, while being for the most part a failure in that they held very little of the land they attempted to conquer, were a significant factor in the rebirth of Europe in that Europe was reunited under a common religion and returning crusaders brought back with them to Europe a wealth of new information in architecture, medicine, philosophy, mathematics and many other areas. This infusion of ideas, paired with the end of constant war within Europe set the stage for the Renaissance.

The Dark Ages were an extraordinarily difficult period in the story of humanity. It is estimated that 100 million people died at the hands of war, poverty, and plague. But during this time new ideas and ideals were born and much of the groundwork was laid for the world we know today.

For more interesting insights on the subject and to learn about medieval weapons Medieval – The Medieval Armory

To Learn more about medieval knights, their weapons and how they lived visit his site at The Knight Medieval website


Barbarians to Angels: The Dark Ages Reconsidered

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A rich and surprising look at the robust European culture that thrived after the collapse of Rome. The barbarians who destroyed the glory that was Rome demolished civilization along with it, and for the next four centuries the peasants and artisans of Europe barely held on. Random violence, mass migration, disease, and starvation were the only ways of life. This is the picture of the Dark Ages that most historians promote. But archaeology tells a different story. Peter Wells, one of th

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The Dark Ages (The History Channel )

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At its height in the second century A.D., the Roman Empire was the beacon of learning, trade, power and prosperity in the western world. But the once-powerful Rome–rotten to the core by the fifth century–lay open to barbarian warriors who came in wave after wave of invasion, slaughtering, stealing, and ultimately, settling. As chaos replaced culture, Europe was beset by famine, plague, persecutions, and a state of war that was so persistent it was only rarely interrupted by peace. THE DARK AG

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The Inheritance of Rome: Illuminating the Dark Ages 400-1000

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A unique and enlightening look at Europe’s so-called Dark Ages

Defying the conventional Dark Ages view of European history between A.D. 400 and 1000, award-winning historian Chris Wickham presents The Inheritance of Rome, a work of remarkable scope and rigorous yet accessible scholarship. Drawing on a wealth of new material and featuring a thoughtful synthesis of historical and archaeological approaches, Wickham agues that these centuries were critical in the formulation of European i

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The Real Middle-Earth: Magic and Mystery in the Dark Ages

Tolkien readily admitted that the concept of Middle-earth was not his own invention. An Old English term for the Dark Age world, it was always assumed that the importance of magic in this world existed only in Tolkien’s works; now Professor Brian Bates reveals the vivid truth about this historical culture. Behind the stories, we know of Dark Age king and queens, warriors and battles, lies the hidden history of Middle-earth, a world of magic, mystery and destiny. Fiery dragons were seen to fly ac

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The English Military in the 15th Century

Saturday, September 11th, 2010

england, military, 15th century, poitier, crecy, agincourtArmies of England in the 15th century were raised by contract between the king and powerful military leaders. Each leader was responsible for paying his troops and the king agreed to pay the leaders back at a later date. Just like continental armies, there was often a royal guard, in England’s case this usually consisted of archers. The “lance” was the administration unit that often drew up detailed ordinances covering the hundreds of details vital to the operation and organization of an army.

England was one of the great military powers and English soldiers attracted considerable attention both for their prowess as well as their self-confidence and, at times, arrogance. During the “crusade” against the Moors in Spain in 1486, one year after the end of the Wars of the Roses, a Spanish observer described the English veterans serving under Earl Rivers as “… men who had been hardened in certain civil wars which had raged in their country. They were huge feeders and deep carousers, often unruly and noisy in their wassail. Though from a remote and somewhat barbarous island they yet believe themselves to be the most perfect men on earth.”

The Venetian Ambassador in 1498 noted that “The English are great lovers of themselves, and of everything belonging to them. They think that there are no other men than themselves and no other world but England, and whenever they see a handsome foreigner they say that ‘he looks like an Englishman’…

“Although they attend Mass every day and say many paternosters in public… they always hear Mass on Sunday and in their parish church, and give liberal alms…

“They have a very high reputation in arms; and from the great fear that the French entertain of them, one must believe it to be justly acquired.”

The English reputation for prowess in war was certainly not unwarranted in the 15th century. The victories of that century and indeed the previous, showed that grim resolve, fighting spirit, and a national tradition of martial practice among those high and low, often gave the stalwart English an edge in battle even when seemingly hopelessly outnumbered. English losses in the 15th century are certainly overshadowed by such decisive victories as Crecy, Poitier and of course Agincourt as one of the most famous.english longbowmen

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